Anna of Denmark

This book examines Anna of Denmark's engagement with visual and material goods, including architecture, garden design, painting and jewellery. It contextualises the consort's place within the wider socio-political environment of the Stuart courts and provides a comprehensive understanding of her personal iconography, aims, interests and alliances.

Jemma Field is Associate Director of Research at the Yale Center for British Art.

Introduction1 Contexts and networks2 Court places and spaces3 Collecting and display 4 Jewellery and apparel5 Representation and self-fashioning6 Ritual and ceremonialConclusionIndex