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"And he left, and she did not say goodbye to him, while he was boarding the ship, Stephanie.. Stephanie is everything.. but Alexandria is "One Thousand and One Nights"... Stephanie is Baudelaire's poems.. and Alexandria is the paradise of colors.. it is the ceremony.. it is the sea, the clouds and the wind. Stephanie is the fairy who brought him out of the bottle into freedom...to music...and to coloring...photography.
However, he should not have listened to Angelo. He should have followed his father's plan. He could not disobey him. He would not like it to be said that the Pasha, the ruler of Egypt, disobeyed his eldest son and did not go according to his wishes. He could not set Ganaklis on fire. His father, who survived the assassination attempt with a bomb, has become stronger and more resistant to death and disobedience, but what does he do with Stephanie? In his seventh novel, novelist Wagdy Al-Koumi returns in time and place through an imagined biography of Mahmoud Said, one of the pillars of Egyptian fine art, and one of its icons. He addresses the issue of choice in every artist's career, and the question of creativity, continuity, or cessation. This imaginary biography of its hero will push the reader to search for truth and fantasy, but in the meantime he will be involved in the biography of a Mediterranean city with a long history and strong influence, and a homeland in a sensitive period of its history.