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"Hailed as a "quiet masterpiece" upon release, Yo La Tengo's And Then Nothing Turned Itself Inside-Out proposed a radical new future for rock music. Released at a time when the music industry was changing dramatically thanks to the rise of online file sharing, it suggested that the only way for a band to survive was to listen to themselves. The book argues that great art does not come from suffering, but instead, steady, unglamorous work. It is an album that helped forge a new mythology for rock and roll: one not built on sex, drugs and debauchery, but instead the quiet lives of people living in peaceful suburban homes. From the nothingness of the everyday, something incredible can emerge"--
Elliott Simpson is a Bristol-based writer. Elliott has written for publications including Louder Than War, Tap the Feed and Bristol in Stereo, producing reviews of concerts, albums, and festivals and carrying out artist interviews.