The Nightmare Before Christmas

"This edited collection considers The Nightmare Before Christmas as a milestone in animation and film history, considering the different layer of meaning and history of the film from pre-production to the present day. Contributors highlight the core areas in which The Nightmare Before Christmas is most historically significant or uniquely insightful. This includes its journey from a quiet art-house release in 1993 distanced from a reluctant and fearful Walt Disney Pictures - to a prodigal son as it became one of Disney's most beloved family titles and developed into a cult phenomenon"--

Filipa Antunes is Lecturer in the Humanities at the University of East Anglia, UK. Her main research interests are childhood and popular culture, especially when the two intersect; ratings and other forms of media regulation; boundaries between childhood and adulthood (and the culture of children and adults); and representations of childhood, parenthood, and family.
Brittany (Bee) Eldridge is an Assistant Teaching Professor at Pennsylvania State University, York, USA. They hold a PhD from University College London, UK. Bee is the Head of Communication for the Disney, Culture and Society Research Network (DisNet) and their Blog Editor.
Rebecca Williams is Senior Lecturer in Communication, Cultural and Media Studies at the University of South Wales UK. She is the author of Post-Object Fandom (2015) and editor of Torchwood Declassified (2013), both published by Bloomsbury Academic.